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The pilot episode was screened in July at the 2015 San Diego Comic-Con. I have not seen the rest of the series, but this is what wiki says: Was wondering if they are the same guy Tom? Anyways, S1E1 was entertaining and absurd. Details of Kapinos profile is not available online and Ellis seems like a guy next door. It was comic enuf, so I looked up the crew – written by ‘Tom’ Kapinos and acted by ‘Tom’ Ellis. I personally liked a whacky pilot episode of ‘Lucifer’. Both films have a refreshing sense of a self-awareness (they know how ridiculous their premises are), and work hard to make the action-movie clichés seem less clichéd.Ĭan u please review some of the Netflix stuff too? Its a great repository, but v difficult to cover the expanse. Thimiru Pudichavan doesn’t have as much craft, but its writing is just as good.
#Kanaa movie review baradwaj rangan driver
Maruthupandian’s Asuravadham is a series of mind games centred around a strong, silent protagonist, a relentless pursuer like the unseen truck driver in Steven Spielberg’s Duel (but he’s the good guy). Sounds like equality to me.Īsuravadham / Thimiru Pudichavan: The latter film (by Ganesha) came later in the year (November), but I’m clubbing these two joyous B-movies together because they show what’s lacking in the “mass” movies made by bigger directors, with bigger-name stars. The film begins with the line “To err is human” and ends with “To forgive is divine.” This applies as much to the wife who strayed as the husband who deceived her. But given the sickening moralism in Tamil cinema, Oru Kuppai Kathai must count as progress. I wish the film had expended similar empathy to the city folks ( They drink! They have casual sex!), whose portions end up laughably simplistic.
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Oru Kuppai Kadhai: What if Engeyo Kaetta Kural (1982) was made in a less judgmental era? You’d get this morality tale by Kaali Rangasamy, which shows a surprising amount of compassion to its heroine, who leaves her kindly sanitation-worker husband and begins a relationship with a software dude. How will this joyfully idiosyncratic filmmaker transfer his sensibilities to a massy Rajinikanth movie? That may be the most interesting question of 2019. In other words, goodbye to the dense layers and intricate textures of Iraivi and Jigarthanda – but the superlative filmmaking is intact. Karthik Subbaraj’s “silent movie” (with freaky sound design by Kunal Rajan) turned out to be his most accessible, most “fun” outing since Pizza – not just a genre thriller, but an emotional horror-drama, with a touch of eco-activism.
Mercury: We had to wait almost till the end of April to see something ambitious, something auteur-istic. (I am on a break, so this includes films released till mid-December.) Here’s my list, in order of date of release.
#Kanaa movie review baradwaj rangan full
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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. Here’s Baradwaj Rangan’s review of #Bhramam directed by #RaviK.Chandran starring #PrithvirajSukumaran, #MamtaMohandas, #RaashiKhanna and #ShankarPanicker.ĭo Like, Share, Comment & Subscribe to our channel.
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